R&B / Soul
Throughout their career, Sharon Jones & the Dap-Kings remained in high demand both publicly and privately to recreate and often re-imagine songs by other artists. More often than not, these covers were recorded by request ' commissioned for placement in movies, television programs, tribute albums, or for samples. This album compiles some of their most popular as well as never-before-heard renditions.Though the band has mostly built their career on a prolific catalog of originals, these forays into other artists' compositions lay bare their gift for arrangement and the unmatched studio prowess that earned them their reputation as The Baddest Band in the Land.
From the first second of Kandace Springs' new album — as those warm, hand-plucked bass notes fill the air — you know you've arrived at something different. And once she starts singing, well, it's pretty clear The Women Who Raised Me exists apart from the normal rules that govern space, time, and talent. While 2018's Indigo LP found the Nashville singer-pianist using modern production to bend sound into new genre forms in collaboration with Karriem Riggins, this set adheres sonically to jazz while Springs travels back and forth across a near-century of music. While the feel is as rich and complex as our host's voice, the concept is simple. Springs covers the women who inspired her while she was growing up, putting her own spin on songs associated with a dozen of the greatest female vocalists of all-time: Ella Fitzgerald, Roberta Flack, Astrud Gilberto, Lauryn Hill, Billie Holiday, Norah Jones, Diana Krall, Carmen McRae, Bonnie Raitt, Sade, Nina Simone, and Dusty Springfield.
Grammy-nominated singer/songwriter, Jessie Reyez will unveil her debut album Before Love Came To Kill Us on March 27th. The album includes the RIAA Gold-certified single "Imported" with 6LACK and capitalizes on the release of the acclaimed Kiddo and Being Human in Public EPs which have garnered more than 750 million combined global streams to date. The Toronto-born, Colombian-bred powerhouse has racked up award nominations and wins including Juno Awards (Breakthrough Artist winner), MTV Video Music Awards, BET Awards, iHeart Radio Music Awards and more. She's also flexed her songwriting prowess on records for other artists including Calvin Harris & Dua Lipa's "One Kiss", Calvin Harris & Sam Smith "Promises", Normani's "Slow Down" and more. Her list of collaborators include Eminem, Daniel Caesar, 6LACK, Kehlani, Karol G, Tainy, Pink $weats and more.
Enhanced with PlayARt - Augmented Reality
Craft Recordings is thrilled to announce the release of a vinyl box set celebrating one of music’s greatest gospel and soul groups, The Staple Singers. Set for a December 6th release date, Come Go With Me: The Stax Collection presents all of the group’s studio albums released on the iconic Memphis label, spanning 1968–1974, and features the Staples’ biggest hits, including “I’ll Take You There,” “Respect Yourself” and “If You’re Ready (Come Go with Me).” The six studio albums were cut from the original analog masters by Jeff Powell at Take Out Vinyl. The final, seventh disc offers rarities, non-album singles and several live recordings from the legendary 1972 Wattstax music festival. The seven discs come in heavyweight 180-gram vinylpressed at Memphis Record Pressing. Housed in a slipcase, the collection also includes a deluxe booklet with archival photos and new liner notes from American music specialist and curator Levon Williams (formerly of the Stax Museum and the National Museum of African American Music), and folklorist, ethnomusicologist and writer Dr. Langston Wilkins. The complete collection will also be released digitally, and the six studio albums will be available in hi-res 24-bit/192 kHz and 24-bit/96 kHz formats for the first time.
Charged up by gospel grandiosity, sun-kissed island grooves, and R&B soul, Nicole Bus wields such a voice. An empathetic writer, powerhouse vocalist, talented multi-instrumentalist, and impassioned performer, the Dutch-born multicultural songstress delivers a striking signature style on her 2019 debut for Roc Nation. It paved the way for her debut album, KAIROS, which Nicole co-executive-produced and co-produced along with Needlz who produced the entire album.
Rising superstar and multi-platinum singer Jacquees will release his second full-length R&B album, King of R&B, on December 20th on Cash Money Records. For the album, he attracted an A-list crop of collaborators, including Atlanta royalty T.I. who delivers an unforgettable verse on the aptly titled "King," Tory Lanez who lends his unmistakable vocals to "Risk It All." While Bluff City and Migos front-man Quavo appear on the heartfelt "All You Need."
Multi-platinum artist Trippie Redd defies conventions with lovelorn melodies and bulletproof rapping. Since emerging two years ago, Trippie has racked up platinum singles and 5 billion streams. His second official album ! is set to release on 8/09 (11/08 on Vinyl) featuring singles “Mac 10 (feat. Lil Baby and Lil Duke)” and “Under Enemy Arms” which alone drew over 32 million streams. The Source claimed, “[Under Enemy Arms] itself is a turn-up”. Features on ! also include Playboi Carti, The Game and Coi Leray.
Allen Stone’s “Building Balance” is his first new album in 4 years, spanning a time period spent figuring out how the old parts and the new parts of his universe were going to co-exist. For Building Balance he worked with Grammywinning producer Nasri as well as Jamie Lidell. Stone continues to draw inspiration from '70s funk and soul with current flexes, sitting amid D'Angelo in its sultrier moments, Stevie Wonder at its most melodic and the production of Mark Ronson at its most modern.
Mavis Staples returns with a brand new studio album produced and written by Ben Harper. Backed by Mavis’ critically acclaimed live band, We Get By features 10 songs of longing, strength, and spirituality, presented with simplicity, grit and sublime beauty. Highlights include the buoyant, “Anytime”, the cathartic, “Change”, and the title track, an uplifting duet with Ben Harper.
While he was working on Oxnard, the ever-ambitious Anderson .Paak was recording Ventura at the same time. As he explains it, both albums showcase the duality that has inspired the Grammy-award winning artist throughout his career. “Growing up in Oxnard gave me the grit and the church to find this voice of mine. One town over I went further and found my depth. [I] held one [album] back because that would have been too many songs to perform live!” Now with a more soulful sound representative of the beautiful, scenic Ventura, Anderson .Paak gives us “King James”, “Make It Better”, and more – with features including Smokey Robinson, André 3000, Nate Dogg among others. Welcome to Ventura!
Buoyed by the smashing success of his recent trio of EPs – The Monologue, The Paradox and The Boy Who Cried Freedom – Nigerian-born British singer-songwriter Jacob Banks released his eagerly awaited full album debut, Village, on Interscope Records. Jacob’s powerful vocals and genre-bending style quickly received widespread praise everywhere from Billboard, The FADER, Complex, Interview, PAPER and NYLON, and TIME Magazine. This fall Jacob will embark on the Village worldwide tour.
Charles Bradley's forthcoming LP, Black Velvet is an extraordinary collection of 10 tracks making their LP debut. In addition to fan favorites like Charles covers of Nirvanas 'Stay Away', Neil Young's 'Heart Of Gold', and Rodriguez's 'Slip Away' - this album features 4 never-before-heard tracks from Producer Tommy 'TNT' Brenneck's vaults.
If life was at all fair Ural Thomas would be a household name, his music slotted into countless sweet, seductive mixtapes between James Brown, Otis Redding, and Stevie Wonder (all of whom Thomas has performed with.) Straddling the line between hot soul shouter and velvety-smooth crooner, Thomas released a few singles in the late 60’s and early 70’s; most notably “Can You Dig It”, which featured backing vocals from soul luminaries Merry Clayton, Mary Wells and Brenda Holloway. Thomas played over forty shows at the legendary Apollo Theater before turning his back on an unkind business and heading home to Portland, OR. It goes without saying that a man practically built out of rhythm would never stop playing music. Thomas began hosting a regular Sunday night jam session at his home that ran for nearly twenty years. A de facto mentor to many of the younger players, Thomas reminds us all that “If you care about what you’re doing, you need to build those muscles and do the work. Don’t get discouraged, do it for love. Even if you’re digging ditches, do it with passion.” In 2014, local soul DJ Scott Magee sat in on drums. The two became fast friends and at Magee’s urging Thomas decided to give his musical career another shot. Magee became the musical director, they put together a band, and in 2016 released a self-titled album on Mississippi Records. In 2017 Thomas signed with Tender Loving Empire and began work on what, in many respects, will be his debut full length. Diving deep into lifetime of melodic creativity, Thomas and his band got to work. Recorded in Magee’s studio Arthur’s Attic, The Right Time features the air-tight work of Magee on drums, percussion, and backing vocals, Bruce Withycombe (The Decemberists) on baritone sax, Portland jazz scene fixture Brent Martens on guitars and vibraphone, Arcellus Sykes on bass, Steve Aman (Lady Rizo) on piano and organ, Dave Monnie on trumpet, Willie Matheis (Cherry Poppin’ Daddies) on tenor sax, and Jasine Rimmel, Joy Pearson, Sarah King, Rebecca Marie Miller on backing vocals. The Arco Quartet performed the strings, and the record was engineered and mixed by Jeff Stuart Saltzman (Blitzen Trapper) and mastered by JJ Golden (Sharon Jones, Ty Segall). One might think after a sizeable taste of early success Thomas would be more than a touch bitter – yet the opposite is true. “We have to be positive if we want the world to get better” Thomas advises. “We’ve come a long way, but if you carry a grudge with the whole world you’ll stop your growth. We’re a family, all just brothers and sisters, descendants of Adam. You can’t get anywhere without an open heart.” A developing artist at nearly eighty years old, for Thomas music has always been about bringing people together. “If we play for twenty people we cook it like it’s twenty thousand” says Thomas. “If we make someone smile we’re satisfied. They’re ain’t no difference between us. It’s all love and brotherhood. If folks listen to my record and feel that I’ll feel very blessed.” Standing in bold defiance of the idea that aging is a reason to slow down and stop living, for Thomas the right time to get down is the next time someone plugs in a guitar or puts on a record. Ural is ready – are you?
HIVE MIND is the new album from THE INTERNET, and is the follow up to 2015's critically acclaimed and Grammy nominated album Ego Death. With this new album, THE INTERNET present enormous growth in their creative chemistry and prove they are a five-person force whose singular talents created one phenomenal whole. The album is written and produced entirely by THE INTERNET - Syd (vocalist/songwriter), Matt Martians (producer), Steve Lacy (guitarist/vocalist/songwriter), Patrick Paige II (songwriter/bassist), and Christopher Smith (songwriter/drummer). And it is with a sense of togetherness - not just for them, but for everyone - that the band chose to highlight as a major theme for Hive Mind. "After making a few songs we realized that we really want to use this album to live by example and promote camaraderie amongst young black people," Syd reveals. "We realized that we're the only band of our kind. And we want to really solidify ourselves as that, as the best." With the chaos of the current world considered, all of THE INTERNET wanted to champion good feelings and the joy of following your heart and passions, in addition to using their own positive relationships and experiences to inspire their community. The band unearthed an even deeper purpose as they collaborated on HIVE MIND. The result is not just one of the greatest records in the band s already phenomenal catalogue, but is easily one of the best albums of 2018, from five amazing people already leaving an indelible mark on pop music.
AT LONG LAST
A new offering from the incomparable voice of Peabo Bryson… STAND FOR LOVE
Peabo Bryson has established a career as one of the premier male vocalists in contemporary music of the last quarter century. Possessing a beautifully rich, almost operatic voice, this two-time Grammy Award-winner has survived and prospered despite the passage of time and changes in popular musical trends.
With twenty albums to his credit, Peabo Bryson has enjoyed an unprecedented, across-the-board level of international success, Bryson has the distinction of being the first artist in music history to have separate records topping four different charts.
Unstoppable is both a celebration of Staton's legacy and a bold step forward, with a sound that's funky and contemporary, but still steeped in the Southern soul and blues of her Alabama roots. Featuring an ace rhythm section made up of Staton's sons, bassist Marcel Williams and drummer Marcus Williams (Isaac Hayes, Pointer Sisters), the album reunites the singer with producer Mark Nevers (Lambchop), who helmed His Hands (2006) and Who's Hurting Now (2009), the critically acclaimed albums for London label Honest Jon's that reestablished Staton as a force to be reckoned with. But where those albums showcased Staton's skills as an interpreter of bluesy ballads, Unstoppable which Marcus Williams co-produced with Nevers is a more celebratory, uptempo set. 'It's my kind of music,' she says proudly. 'It's more of a happy record, a dancing record.'
Joey Dosik honed his craft as part of a burgeoning Los Angeles scene that reinvents classic popular music to thrive in the present tense. With Inside Voice, Dosik delivers a level of depth rarely achieved in a debut, and the result is an instant classic by any standard. It’s brimming with emotions that linger and hum. It’s catchy as hell and can haunt you for days. You can take a casual listen or spend hours on repeat. Either way, Inside Voice will get you, because Joey Dosik writes human music for human beings. And boy does he write the hell out of it. Title track “Inside Voice” builds gradually into 1970s-style soul, as Dosik’s remarkable vocal range hovers over a sparse arrangement. It’s quiet but — in keeping with the song’s concept, which Dosik describes as “deep, sexual, but also kind of silly”— it’s also a thrilling, intimate moment. “Take Mine” plays with negative space and a repetitive, gut-punching melody; what feels like a love song is actually a plea for unity against the turbulent backdrop of present-day politics. Throughout, Dosik does a remarkable job of honoring and evolving classic sounds, letting his uncanny gift for songwriting guide the way.